Partner Details
Institute of the Arts Barcelona
Awards
Target Award
Award Description:Bachelor of Arts with Honours - BAH
Alternative Exit
Alternative Exit
Alternative Exit
Programme Offerings
Full-Time
F2F-IAB-SEP
Educational Aims of the Course
Develop practical skills, knowledge and understanding of musical composition in different forms/styles/genres/media and of production methods and performance techniques in the context of contemporary music. Develop an individual creative musical style and identity with the ability to create and perform viable work which responds to specific markets and market segments. Acquire knowledge of and undertake learning opportunities in the creative and technical skills of music creation and performance, music production and technology, song writing, and the musical composition skills required for a sustained employment in a broad range of music careers. Acquire a detailed and well-informed understanding of the international music business and a clear understanding of how music is financed, made, distributed and consumed. Develop an informed critical understanding of the cultural, social and political context in which music is produced, performed and consumed. Develop the graduate transferable skills of academic research, creative and divergent thinking, effective communication, problem solving and strategies for collaboration and team working.
Learning Outcomes
1.
Produce an informed and critical appraisal of the creative processes and professional practices of music creation and interdisciplinary practices.
2.
Appraise career opportunities, HE progression opportunities and the professional challenges ahead.
3.
Portray an informed and reflective preparation process for performance, the relationship to target markets and audience and professional level understanding of the formal structures and properties for performance.
4.
Relate and critique the commercial, professional, technological and cultural contexts in which contemporary music is made and consumed.
5.
Deploy industry established operational practice in a range of sound production environments composing songs and music in response to personal creative imperatives, target markets and different media.
6.
Produce practical work independently/ interdependently utilising problem-solving skills in a variety of theoretical and practical situations.
7.
Create and engage with individual research projects involving the acquisition, sifting, selection and ordering of material to create coherent outcomes and reasoned academic argument.
8.
Critically evaluate on the work of others in the context of contemporary technical, aesthetic and cultural frameworks and production values and apply to the production of their own work.
9.
Generate, develop, test and evaluate new creative ideas and solutions thinking critically, analytically and reflexively.
10.
Perform in solo and ensemble settings in a variety of genres and performance contexts prioritising workloads, meeting deadlines and, recognising and managing personal emotions and stress.
Teaching, Learning and Assessment
Teaching is delivered by means of lectures, practical classes, technology classes, small group teaching workshops/practical activities, individual practice, individual/group tutorials, rehearsals/preparation for live performance and live performance. Teaching incorporates: • Sharing factual knowledge, introducing conceptual frameworks and inspiring discussion activity. • Providing instruction in playing/performing to improve and enhance technique level. • Demonstrating use of technology, applications and the exploration of possibilities. • Explaining how to research, collect and analyse data, structure an academic argument and frame findings. • Providing learning activities to develop interpersonal skills and graduate attributes. • Guiding a rehearsal/creative process, providing constructive feedback to enhance the students’ breadth and depth of learning and providing further feedback after the live/completed event. Visiting lecturers and professional music artists will make a contribution to the programme. Throughout the programme the student is encouraged to read widely to consolidate and supplement that being taught, to network within the industry and to set goals and challenge self. A summary description of the teaching and learning activities by level is: At level 4 – Embedding key understandings, tenets, competent musicianship and technology skills and that the student has an awareness of self-learning strategies and their interpersonal/academic skills. At level 5 – Applying learning and extending further the students’ knowledge, skill base and abilities to create work and rehearse to ensure confident levels of performance. At level 6 – Translation of knowledge and abilities into musicianship for employment in the industry and transferable graduate attributes for employment in different /wider fields of work. Regular, well planned and focused self-directed study is essential for a successful outcome at each level of study. Different students may need to spend different amounts of time on different subjects. Without question the playing of an instrument requires daily practice. The journey from being a guided learner to an autonomous learner, equipped with the necessary skills, intent and curiosity, is integral to the learning partnership fostered between the institution and each individual student. Assessment is geared specifically to learning. As is appropriate in a vocational Music programme, the majority of the assessment tasks are practice based. To provide and enhance the academic underpinning and rigour of the programme traditional types of academic assessment will also be employed. Assessment serves three purposes: 1. To help students learn by highlighting their strengths and weaknesses and working with them to develop their abilities so as to achieve the required learning outcomes. 2. To map students’ skills, knowledge and level of ability against the learning outcomes of their modules of study. 3. To ensure that the module or programme of study is delivering the required learning activities and that the individual teaching and learning strategy is efficient and effective. The types of assessment used are essays and critical evaluations; practical tasks; live performance; studio rehearsal projects; examinations (unseen multichoice/short answer or seen for long answers); technological tests and tasks; presentation of a portfolio of creative/composed pieces of music and business; reports/case studies; small group presentations and project management tasks. Both Formative and Summative Assessments are used within the programme. Formative focuses on guiding, developing and correcting knowledge/ability/skills in preparation for the formal mark-bearing Summative Assessment. Summative assessment marks are reported to the LJMU Board of Examiners and ratified marks then appear on the students’ individual Progress transcript at the end of the academic year. Unratified marks are returned to the students within 15 working d
Programme Structure
Programme Structure Description
The programme is delivered over three academic years in full-time mode. It starts in September and runs through to early June. The programme has no options or electives. An alternative award of Diploma of Higher Education in Contemporary Music production will be offered to students who do not achieve a … For more content click the Read More button below.
Structure
Level 4
Level 5
Level 6
Approved variance from Academic Framework Regulations
Variance to run yearlong modules at Level 4, 5 and 6.