Partner Details

Liverpool Institute for Performing Arts

Awards

Target Award

Award Description:Bachelor of Arts with Honours - BAH
Alternative Exit
Alternative Exit
Alternative Exit

Programme Offerings

Full-Time

F2F-LPA-SEP

Educational Aims of the Course

The Programme has three key aims:

  1. To prepare students for a career within the broad spectrum of contemporary Applied Theatre/Drama practice, by:

    - developing their facilitation and directing skills to a professional level.
    - improving and broadening their skills as theatre practitioners.
    - enhancing their ability to operate as arts professionals, utilising the tools of entrepreneurship in the pursuit of social/cultural/political goals.

  2. To cultivate a critical appreciation of the political, social and economic factors that have, and continue to impact upon the development of theatre and drama for, with and by specific communities.

  3. To enable students to develop the skills required to sustain themselves within the field as active agents of change, with the ability to identify and negotiate agendas and adapt a core body of technique in the service of a variety of community and educational contexts.

Learning Outcomes

1.
Demonstrate knowledge and understanding of histories, forms and traditions of performance, theoretical explanations of those histories and their impact on present Applied Theatre / Community Drama practices. (DDP)
2.
Demonstrate knowledge and understanding of narrative forms and the multiples roles of ‘story’ in shaping personal and social histories. (DDP)
3.
Demonstrate knowledge and understanding of key practitioners and practices; theorists, which may include writers and directors; applied / community theatre practice; the cultural and/or historical contexts of such practitioners and practices. (DDP)
4.
Demonstrate knowledge and understanding of the key components of performance including: text, movement, aural and visual environment, and the performer. (DDP)
5.
Demonstrate knowledge and understanding of significant sources and critical awareness of research methodologies used to explore and interrogate the fields of study. (DDP)
6.
Demonstrate critical awareness of social policy and media discourses shaping practice, in order to work in the interests of young people and community group members. (YCW)
7.
Demonstrate critical awareness of current Applied Theatre practice and theory within a diverse range of social, educational and community contexts. (DDP)
8.
Demonstrate knowledge and understanding of project management, funding and social entrepreneurship in the context of the Applied Theatre / Community Drama field. (DDP)
9.
Recognise and compare multiple, competing perspectives and challenge the status quo and dominant ideas. (YCW)
10.
Articulate theories of change and rationale for Applied Theatre / Community Drama interventions. (YCW)
11.
Describe, theorise, interpret and evaluate performance texts, events and participatory activities from a range of critical perspectives. (DDP)
12.
Read the performance possibilities implied by a script and other textual or documentary sources. (DDP)
13.
Research and examine information, materials and experience, formulate independent judgements, and articulate reasoned arguments through reflection, review and evaluation. (DDP)
14.
Identify and analyse the social/cultural frameworks which surround Applied Theatre / Community Drama events and on which these events impinge, and take these into account in creating and/or interpreting performances. (DDP)
15.
Engage with current debates on social/ cultural policy and funding. (DDP)
16.
Utilise a range of facilitation techniques to lead dynamic and meaningful practical drama work. (DDP)
17.
Design and implement short, medium and long term participatory projects for a range of participant groups and contexts. (DDP)
18.
Engage in participatory performance making, as either a facilitator or director, based on an acquisition and understanding of appropriate performance and production vocabularies, skills, structures and working methods. (DDP)
19.
Apply a repertoire of interpretative skills, practices and making techniques (physical/aural/spatial) and applying them effectively to engage with an audience/performance. (DDP)
20.
Utilise theatre and drama based techniques as means of forging community, challenging inertia and encouraging participation. (YCW)
21.
Identify discrimination, oppression and/or exclusion and developing strategic interventions to tackle these in different situations. (YCW)
22.
Practice in an ethical manner, recognising the complex, contested and essential nature of ethical practice in this discipline. (YCW)
23.
Utilise structured techniques of reflection to analyse and improve facilitation and directing practice. (DDP)
24.
Develop and manage projects, including the sourcing of funding and design and implementation of project plans. (DDP)
25.
Exhibit insight and confidence in managing themselves and drawing on conscious use of self in working with others and in leading or participating in teams. (YCW)
26.
Communicate effectively with a wide range of individuals and groups using a variety of means (oral, visual, written). (DDP)
27.
Synthesise analysis and creativity to solve problems. (DDP)
28.
Manage complex accountabilities, including being able to compromise and negotiate without losing integrity and professional principles. (YCW)
29.
Manage time, prioritising workloads, recognising and manage personal emotions and stress. (DDP)
30.
Use generic ICT systems to communicate, evaluate and present information. (DDP)
31.
Utilise awareness of inter-professional and interdisciplinary working, including the leadership and management of teams and individuals. (DDP)

Teaching, Learning and Assessment

Teaching, learning and assessment methods used to enable outcomes to be achieved and demonstrated

Knowledge, understanding and intellectual skills are developed across the entire the programme. Each module, irrespective of the format of the teaching, involves discussion of key issues, practice in applying concepts both theoretically and practically, analysis and interpretation of material, and individual feedback sessions for learners on work produced. All practical work undertaken by the learner in community settings requires the development of these skills.

Students receive initial guidance on how to identify, locate and use material available in libraries and elsewhere. Comprehensive bibliographies are provided for each module at the outset, as are guidelines for the production of coursework essays and dissertations. 

Practical skills are initially taught through staff led workshop, lecture and seminar groups and then practised in simulated and or controlled environments. Learners then move on to developing these skills in real world contexts by leading projects in small groups before ultimately running sessions and projects alone. Both group led and individual projects are supported by staff supervision.

Assessment

Skills are assessed through practical project work, presentations and continuous observation. Most modules feature some element of evaluative, analytical or contextual written work, in the form of essays, reflections or reports. Self-development as a practitioner is assessed through structured reflective appraisal activity for group work and via reflective tutorial or logbook for individual work.

Assessment of transferable skills is through coursework at all levels. A variety of assessment vehicles are employed over the three years of study to allow students to develop a range of transferable skills, including presentation (oral and written), communication, collaboration, evaluation and learning independently.

Opportunities for work related learning

At Level 4, in Facilitation: Presence, Play & Purpose (30 credits) learners undertake a short placement. They are expected to research and apply for their own placement and are assessed on their analysis of the context and professional practice that they observe.

At Level 5 learners undertake two projects in real world settings as part of Practitioner: Theatre, Drama & Education (30) and Storyteller: Community Performance and Counter-Narrative (30). Also, at Level 5 as part of Facilitation: Transformation, Flow & Synthesis (30) learners are assessed on both their critical analysis of the real world contexts engaged on other modules and their leadership of an observed workshop.

Level 6 offers two opportunities for work-based learning. In Theatre for Democracy, Health, and Environmental Advocacy (30) learners work directly with community group in association with a public or voluntary sector body. Finally, the module Launch Pad: Individual Final Project (60) requires the student to lead a community group in a 10-12 week process based project.

Programme Structure

Programme Structure Description

The programme is offered on a full-time basis. Entry to the course is at Level 4 only. 

Approved variance from Academic Framework Regulations

This programme has an approved Variance to UG A3.2 which states: ‘Modules comprise 10 or 20 credits except for a research project/dissertation module at Level 6 which may comprise 30 or 40 credits. At Level 7 in integrated Master’s programmes the research project/dissertation module will comprise 40, 50 or 60 … For more content click the Read More button below. In this programme modules may comprise of 15, 30, 45 and 60 credit modules.

Entry Requirements

A levels
Alternative qualifications considered
BTECs
International Baccalaureate
Other international requirements

HECoS Code(s)

(CAH25-02) performing arts