Teaching Responsibility
LJMU Schools involved in Delivery:
LJMU Partner Taught
Learning Methods
Lecture
Practical
Seminar
Workshop
Module Offerings
6544STE-JAN-PAR
Aims
To evaluate and apply a variety of recording, processing and mixing tools relevant to the current practice in immersive audio.
To develop an awareness of the production options and conventions in the field of spatial audio.
Learning Outcomes
1.
Evaluate and apply a range of immersive audio software and hardware tools relevant to music, post production, game and theatre applications.
2.
Employ and assess a range of spatial microphone capture techniques.
3.
Confidently assemble and complete an audio production project with a focus on a specialist area of immersive audio.
Module Content
Outline Syllabus:Historical Overview of Spatial Audio (Music, Stereo, Multichannel)
Psychoacoustic Essentials (Duplex, HRTF, BMLD, Precedent)
Binaural Recording and Production (Dummy Head, 3D Panning Tools)
Multi Microphone Techniques
Ambisonics (FOA, HOA, Microphone options)
Music Ensemble Recording Applications
Electronic Music Production Applications
Film Post Production Applications
VR and Game Audio Applications
Spatial Metering
Overview of Current Research and Standards
Current Commercial Developments
Additional Information:Peter Philipson is the Module Leader (p.philipson@lipa.ac.uk).