Teaching Responsibility

LJMU Schools involved in Delivery:

LJMU Partner Taught

Learning Methods

Lecture

Practical

Seminar

Workshop

Module Offerings

6544STE-JAN-PAR

Aims

To evaluate and apply a variety of recording, processing and mixing tools relevant to the current practice in immersive audio. To develop an awareness of the production options and conventions in the field of spatial audio.

Learning Outcomes

1.
Evaluate and apply a range of immersive audio software and hardware tools relevant to music, post production, game and theatre applications.
2.
Employ and assess a range of spatial microphone capture techniques.
3.
Confidently assemble and complete an audio production project with a focus on a specialist area of immersive audio.

Module Content

Outline Syllabus:Historical Overview of Spatial Audio (Music, Stereo, Multichannel) Psychoacoustic Essentials (Duplex, HRTF, BMLD, Precedent) Binaural Recording and Production (Dummy Head, 3D Panning Tools) Multi Microphone Techniques Ambisonics (FOA, HOA, Microphone options) Music Ensemble Recording Applications Electronic Music Production Applications Film Post Production Applications VR and Game Audio Applications Spatial Metering Overview of Current Research and Standards Current Commercial Developments
Additional Information:Peter Philipson is the Module Leader (p.philipson@lipa.ac.uk).

Assessments

Portfolio