Written Assignment

Plan and execute sound production for live music event

Plan and execute sound product

Sound Reinforcement Basics 
Background; reinforcement definition; system components and architectures – live sound consoles, amplifiers, crossovers, loudspeakers; signal flow and gain structures; safe working practices
Sound Theory and Listening
Frequency awareness – listening for audible artefacts/feedback; audio theory in the context of live sound – room modes, acoustic coupling, feedback, delay; basic analysis tools (including ears); amplifier and speaker matching – impedance and power; developing a sensible approach to compromise
Mic Technique and Input Strategy
Mic selection and deployment in the live audio environment – dynamic vs. condenser, polar pattern effects, mic techniques for performers; input strategies, channel lists, stage plans, microphone splitting
Mixing
Structure of live mix; techniques to aid clarity and avoid feedback; using FX and processors for FOH purposes; working with audio sub-groups and VCAs for mixing; introduction to digital mixing consoles for live sound
Monitors
Need for monitoring – approaches to provide monitoring; auxs vs. separate monitor desk; wedges and fills; positioning monitors, voicing and EQ for monitor mixes; relationship between stage sound and FOH sound
Interpersonal Skills and Time Management
Working in a team; working with artists; protocol and procedures for line checks, sound checks and changeovers; planning production schedules and get-in / get-out; technical resource planning
Basic System Design
Matching technical specification to room size; choosing appropriate equipment; common problems and solutions – feedback, dispersion, coverage; tuning FOH systems.

Sound Reinforcement 1 - 4523STE

Sound Reinforcement 1

Analyse their performance in a designated role of a sound reinforcement team

Plan for a small to medium live music event including appropriate sound reinforcement system design/deployment and non-technical considerations

Demonstrate an understanding of the underlying theories relating to the design and use of sound reinforcement systems

Discuss the non-technical influences on a live performance and suggest measures to take account of these

Apply a range of technical and creative skills and methodologies in the set-up, commissioning and operation of a sound reinforcement system